What is the most inspiring thing I’ve ever said to you?
"Don’t be an idiot." Changed my life.

(Source: dundermifflinscranton, via karate-and-friendship)


kissesformabitches:

Disney channel knew whats up

(Source: thestanakatic, via theothermirroronthewall)


"harry james potter," harry said, "you were named after the bravest man i ever knew. it was me. i’m awesome." [x]

(Source: ladymills, via theothermirroronthewall)


Tatiana Maslany Script to Screen: 2x01 Table Reading
With her main characters, they’re so close to her now. It’s amazing to watch how quickly Tatiana can emotionally access these characters. - Graeme Manson

(via orphanblack)


We never say that all men deserve to feel beautiful. We never say that each man is beautiful in his own way. We don’t have huge campaigns aimed at young boys trying to convince them that they’re attractive, probably because we very rarely correlate a man’s worth with his appearance. The problem is that a woman’s value in this world is still very much attached to her appearance, and telling her that she should or deserves to feel beautiful does more to promote that than negate it. Telling women that they “deserve” to feel pretty plays right in to the idea that prettiness should be important to them. And having books and movies aimed at young women where every female protagonist turns out to be beautiful (whereas many of the antagonists are described in much less flattering terms) reinforces the message that beauty has some kind of morality attached to it, and that all heroines are somehow pretty.


horunvendush:

Doneeeeeee…..!  #watercolor #moon #stars #floatingisland #island #clouds #night #roots #tree #rock #artporn #artwork #artist #art #space #ink #pen #brush #poscapen #posca

horunvendush:

Doneeeeeee…..!
#watercolor #moon #stars #floatingisland #island #clouds #night #roots #tree #rock #artporn #artwork #artist #art #space #ink #pen #brush #poscapen #posca

(via janeways-personal-log)


I asked myself what style we women could have adopted that would have been unmarked, like the men’s. The answer was none. There is no unmarked woman.

There is no woman’s hair style that can be called standard, that says nothing about her. The range of women’s hair styles is staggering, but a woman whose hair has no particular style is perceived as not caring about how she looks, which can disqualify her for many positions, and will subtly diminish her as a person in the eyes of some.

Women must choose between attractive shoes and comfortable shoes. When our group made an unexpected trek, the woman who wore flat, laced shoes arrived first. Last to arrive was the woman in spike heels, shoes in hand and a handful of men around her.

If a woman’s clothing is tight or revealing (in other words, sexy), it sends a message — an intended one of wanting to be attractive, but also a possibly unintended one of availability. If her clothes are not sexy, that too sends a message, lent meaning by the knowledge that they could have been. There are thousands of cosmetic products from which women can choose and myriad ways of applying them. Yet no makeup at all is anything but unmarked. Some men see it as a hostile refusal to please them.

Women can’t even fill out a form without telling stories about themselves. Most forms give four titles to choose from. “Mr.” carries no meaning other than that the respondent is male. But a woman who checks “Mrs.” or “Miss” communicates not only whether she has been married but also whether she has conservative tastes in forms of address — and probably other conservative values as well. Checking “Ms.” declines to let on about marriage (checking “Mr.” declines nothing since nothing was asked), but it also marks her as either liberated or rebellious, depending on the observer’s attitudes and assumptions.

I sometimes try to duck these variously marked choices by giving my title as “Dr.” — and in so doing risk marking myself as either uppity (hence sarcastic responses like “Excuse me!”) or an overachiever (hence reactions of congratulatory surprise like “Good for you!”).

All married women’s surnames are marked. If a woman takes her husband’s name, she announces to the world that she is married and has traditional values. To some it will indicate that she is less herself, more identified by her husband’s identity. If she does not take her husband’s name, this too is marked, seen as worthy of comment: she has done something; she has “kept her own name.” A man is never said to have “kept his own name” because it never occurs to anyone that he might have given it up. For him using his own name is unmarked.

A married woman who wants to have her cake and eat it too may use her surname plus his, with or without a hyphen. But this too announces her marital status and often results in a tongue-tying string. In a list (Harvey O’Donovan, Jonathan Feldman, Stephanie Woodbury McGillicutty), the woman’s multiple name stands out. It is marked.


As we mourn Abrams’ macho Trek obliteration, it’s a good time to revisit Voyager, at once the most Star Trek-ian of accomplishments and the most despised object of fanboy loathing in the franchise’s nearly 50-year history. From 1995-2001, it offered American audiences something never seen before or since: a series whose lead female characters’ agency and authority were the show. It was a rare heavy-hardware science fiction fantasy not built around a strong man, and more audaciously, it didn’t seem to trouble itself over how fans would receive this. On Voyager, female authority was assumed and unquestioned; women conveyed sexual power without shame and anger without guilt. Even more so than Buffy, which debuted four years later, it was the most feminist show in American TV history.

Now, “Voyager”: in praise of the Trekkiest “Trek” of all | Balder and Dash | Roger Ebert

This fascinating series review might re-frame your whole evaluation of Voyager.

If you’re into that kind of thing.

(via altidude)

A fascinating reflection by Ian Grey on Voyager’s unparalleled ability to destabilize the expected gender/racial order, and the disappointment we have at having seen nothing like it since.

Flying in the face of that are the women of Voyager. No matter what psychological damage or tragic history they had to overcome, they always were what they were, not what they suffered from. What Trek fans who dislike Voyager are feeling might not actually be hate. It may be more like an aggravated fear verging on outright panic that a type of TV heroine that that they thought had been eliminated or marginalized in the years since the series ended won’t be forgotten, and could rise again.

(via trekkiefeminist)

(via janewaytookmycoffeecastle)


(Source: necropolus, via dianamazons)


(Source: halfagony-halfhope, via messofajess)


Viola Davis is a freaking tour de force. As she slowly peels back her wig, her eyelashes and wipes away her makeup, you can just see Annalise come undone. She doesn’t say a word, but you can feel the pain radiating off her. It gave me the chills. (x)

(Source: getawaywithgifs, via wolander)


zombiegraycat:

i’m a hopeless Romantic. walk with me in the graveyards of gothic cathedrals, transcend the confines of elitist and rationalistic structures of discourse, and join me in an eternal spiritual quest for the strange and sublime.

(Source: arachna-feminist, via itsmissdaydreamer)


(Source: outofcontextarthur, via by-jove)


TRACK: Genesis
ARTIST: Grimes
ALBUM: Visions

majestictunes:

genesis || grimes (+)

home and i know, playing the deck above
it’s always different, i'm the one in love

(via lucifurry)